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From Psychiatrists to Peter Rabbit

My apologies for not putting up a blog post in quite a while, so I hope you will read this one in its entirety, and if you think someone else should read it, please pass it on.

On the 6th of December 2013 I was at work when I suffered what can best be described as the mother and father of depressive panic attacks. It really frightened me and thinking of the consequences of what I might do to myself in this mood, I drove myself straight to my Doctor’s Surgery and asked to see someone. The receptionist was really patient with me, especially after she told me there was no Dr. available to see me and I pointed out I wasn’t leaving, because I was scared of walking away from a situation where I would receive help.

The Dr. who saw me took one look at me, asked me a couple of questions and immediately phoned to make me an appointment with the mental health team at one of the major hospitals. I was taken there and after a brief conversation with a nurse was put in a quiet ‘special’ room to wait for a full assessment. The room had very heavy furniture with rounded edges and no easy way to get your fingers underneath to lift any of it up. The windows were bolted shut, the pictures screwed to the wall and a panic button fitted behind where the assessor was to sit. I suppose people had been there in far angrier moods than me.

The assessment was an opportunity to talk. I was allowed to ramble on, follow tangents and let everything tumble out of my mouth in an unfocussed narrative. Much is written about how writing a PhD can be detrimental to your mental health, but not much is written about when a PhD is the glue that binds your mental health together. I have a good life, as many people do who suffer mental health issues, but when that indefinable something gets in under your skin and the tiny problems you are experiencing start to expand and fill your every thought. Well, you get the picture.

I’ve been ill before, and I mean physically ill. I’ve had a couple of operations on my kidneys and my gall bladder out. Add to that some other scars from various other adventures and I have parts of my skin that look like a dog chew toy. Physical pain I can handle, junior doctors at the end of my bed staring at my testicles I can handle, but letting someone look inside your head is a very different experience indeed. In one sense, writing these blog posts are letting people inside my head, by explaining the inner workings of how I come to work out various concepts and points of my thesis. In another sense, many of you don’t know me as a person and form your opinions of me from what I write on here, and my writing has meant that my first term was funded by you, and I in turn am inspired by your faith in me.

After the assessment by a psychiatrist I was allowed home and this was the start of my recovery. In order to recover from something like this you have to admit that you understand that there are problems, and that you need to address each one as an individual rather than screw them up into one big ball which is then juggled around as one big worry. Making sure I fulfilled my obligations to you, the people who support me by reading the blog and contributing to my PhD fee payment fund http://www.gofundme.com/medievalgardensandparks is something which I have to admit worried me and was rolled up in my big ball.

Thanks to the dispassionate honesty of my psychiatrist, the love of my family and the support of three friends in particular – you know who you are – I’ve been able to work through my problems and I’m now well enough, both physically and mentally, to be able to continue with the writing process and to able to talk about my latest discovery, which all starts with the ‘The Tale of Peter Rabbit’ http://en.wikipedia.org/wiki/The_Tale_of_Peter_Rabbit by Beatrix Potter.

One of my friends has just given birth, and she and her husband have decorated the nursery. They chose to put up illustrations from ‘The Tale of Peter Rabbit’. I remembered that the illustrations were drawn in the garden of Gwaynynog Hall near Denbigh (Latitude 53.177178; Longitude -3.445713) and so posted a link to the BBC News article http://news.bbc.co.uk/1/hi/wales/north_east/4441615.stm to show her.

Galch Hill

And then I thought. Hang on a minute. Where exactly is Gwaynynog Hall? So, I checked my maps and it lies within one of Denbigh’s medieval parks. Which then made me think that Peter Rabbit, or at least the rabbits that Beatrix Potter was inspired by when she created Peter Rabbit, arrived in the area during the medieval period. Whether these were imported by English or Welsh royalty is a little bit more difficult to establish without archaeological excavation of the medieval rabbit warren locations, but it is an important step forward in understanding the landscape. And I’ll be sure to tell my friends’s newborn daughter someday how she helped me start writing again.

If anything in the first part of this blog post struck a chord, you could try the following websites:

http://www.mind.org.uk

http://bemindful.co.uk

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Tell me about it, stud.

The medieval horse.

Most people when they see those words tend to have something like this in mind.

Copyright THoog
Copyright THoog

A knight and his similarly armoured stallion.

But how often did the stallion end up in all his armour? And what did he do on his day off? Which sounds ridiculous, but is a valid point.

Most of the time he would have being doing this:

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Or making foals…but you don’t need a picture of that…

Part of my research is looking for the evidence for the medieval horse studs – The word “stud” comes from the Old English ‘stod’ meaning “herd of horses, place where horses are kept for breeding” – within my study area of North Wales and North West Shropshire. There are several sources of evidence that I’ve been using and I thought I’d discuss them this week.

Firstly, there is the archaeological evidence – and this can be divided into the skeletal evidence for the horses themselves and the evidence for their horse ‘furniture’, pieces like reins, saddles and horseshoes. Skeletal evidence is, unfortunately, a bit thin on the ground, and where it does exist, for example at Aldford Castle in Cheshire (Longitude:53.130188; Latitude:-2.870270) it was very badly ‘smashed’ – that is to say, it was in pieces big enough to know it was a horse, but too small to be able to estimate the size of the horse.

I’ve previously discussed the loss of the site of Parc-y-Meirch (The Horse Park) in the blog post https://medievalparksgardensanddesignedlandscapes.wordpress.com/2013/07/08/archaeological-arrogance/ but fortunately during the rescue excavations medieval horseshoes were recovered from the site – which helped corroborate the second strand of evidence I want to discuss – the historical evidence.

Again, it is possible to divide the historical evidence into two sections, that is evidence for specific sites – such as the evidence from ‘The Survey of the Honour of Denbigh’ taken in 1334 which lists Parc-y-Meirch. The other section is the historical evidence which is non-site specific. An example of this can be found in the writings of Giraldus Cambrensis / Gerald of Wales:

“There are some excellent stud-farms. A superb race of blood-stock is now bred there, tracing its descent from the Spanish horses which Robert de Bellême, Earl of Shrewsbury, had gone to some pains to have imported long ago. The horses which are sent out from Powys are greatly prized: they are extremely handsome and nature reproduces in them the same majestic proportions and incomparable speed.”

Welsh poetry of the medieval period can also help understand the breeding programme. The poet Cynddelw Brydydd Mawr described Madog ap Maredudd (Prince of Powys from 1132-1160) as a ‘companion of Gascon horses’ and the poet Llywarch ap Llywelyn says that Llywelyn ap Iorwerth (Prince of Gwynedd 1195-1240) had Gascon horses. Gascony is in south west France (Longitude:43.763138; Latitude:-0.046619), so the importation of the horses appears to have gone on for at least a century.

Finally there is the pictorial evidence for horses in the Welsh Law Books – in Peniarth MS.28 on folio 24v there is a picture of a horse within the section of the law on horses:

mrw 090

So, as you can see from this small selection of sources, the study of horses and where they were kept and bred is full of variety and I’m really enjoying the research to find out more.

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Archaeological Arrogance?

The A55 expressway across North Wales passes many archaeological and historical sites. Many of them are preserved and respected, either by national bodies or in private ownership. Occasionally they are compromised by the whims of succeeding generations, for example the later road and rail bridges around Conwy Castle, but on the whole those which were deemed of sufficient importance were protected by legislation of one form or another.

One site I am writing about in my PhD thesis has disappeared from the landscape. I pass its former location twice a day as I drive from my house to the office and look up at the jagged hole in the skyline which was once the site of an Iron Age Hillfort.

This jagged hole was created because the solid geology which made up the Hillfort was Limestone, and the Limestone was needed to provide the flux in the blast furnaces for making steel at the nearby steelworks in Shotton, but what of the archaeological and historical significance of this site being removed lorry load by lorry load?

The most recent name for this site is Dinorben (Latitude 53.265522; Longitude -3.545362). The voracious appetite of the steelworks saw an intermittent programme of archaeological excavations from 1912 to 1978, with the result that the understanding of the archaeological context of the Hillfort is now well understood through various publications.

Or is it?

This Hillfort has previous, both archaeological and historical, which has been neglected in the drive to tell one story over another. In 1334, the Hillfort was recorded in ‘The Survey of the Honour of Denbigh’. This is one of the extents which I mentioned in a previous blog post (https://medievalparksgardensanddesignedlandscapes.wordpress.com/2013/06/23/si-longtemps-et-merci-pour-le-poisson/) and which were compiled in the Fourteenth century describing who owed what service to the ‘new’ English Lord of the Manor – who had replaced the Welsh Prince after the Edwardian Conquest of 1282-1283.

The Hillfort is known as ‘Pendinas’ (Top of the City) and is described as a wood of nearly five acres, covered with poor scrub and in the possession of Johannes of Rhuddlan. Whilst ‘Pendinas’ may have been the official name, by the time the archaeologists arrived in the early Twentieth century it was known as ‘Parc y Meirch’ (The Horse Park). The Hillfort defences were reused during the medieval period as the location of a horse stud, and if the horses were ill, then they could avail themselves of a holy well, dedicated to St. Siôr, titular saint of horses.

This narrative however, merited only the briefest of mentions in the archaeological reports produced on the site, and the archaeologists changed the name of the site from ‘Parc y Meirch’ to ‘Dinorben’ – the name of a land division. Quite why the archaeologists felt the need to change the name I’ve yet to fully decipher, but it appears that medieval name and story was known by the archaeologists, but it did not fit with the story they wished to tell.

To compound the issue further the medieval finds, consisting of horse shoes and pottery, were confined to an appendix of the main site report written in the late 1960s and early 1970s. The reason for this confinement may be because the principal archaeologist was a prehistorian, and again, the story was not the one which needed to be told.

Parc y Meirch is a very important site in terms of understanding how a medieval horse stud related to the wider landscape within my PhD study area. The side lining of one interpretation over another because it does not fit your personal archaeological aims can never help the overall understanding of a monument in a landscape, and ensuring that archaeological and historical evidence is presented in a balanced manner will always advance the archaeological agenda, even if you don’t agree with the findings, or even the name of the place you are excavating.